Replace the dead with something alive that looks like it.
While gaining a more intimate knowledge of the work it is difficult to separate oneself from the surface.
Using the ‘Form Review’ as a starting point, Kalasky and Aldouri lead a committed group of investigators into the role of art criticism in Philadelphia addressing questions of function, purpose, and audience.
James Inscho sits down with Matt Kalasky to talk about his show, “The Key to the Fields.”
Especially when I paint, it is almost like a dialogue between me and formless me, within the ancient ocean where the memory is accumulated since we were animals.
At that time the children – two boys – join the wrestling team where they eventually begin injecting steroid hormones to match society’s expectations of masculinity, while combatting their own thoughts and desires to grow out their hair, attend art school and watch porn in a dark basement with their friends.
Fresh Eyes, objecthood, and sight negation.