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Concrete Stitches: Sinéad Cahill and Sarah Thompson Moores’ “By the By”
Behold, an exceptional device for submerging the viewers into the mindset of participation.
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Kevin McNamee-Tweed at Little Berlin
It’s children might look like a cloud of dust hanging above a dirt road leading towards a horizon that is the internet.
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Pig Iron’s “99 Breakups”
They are not photocopies of the first time, disintegrating each time.
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“Begin Where You Are” at Crane Arts
You should message this exhibition if… you can start today.
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Timothy Belknap “So Goes the Spoils” at Force Field
Oskar Schlemmer and Mary Shelly. Something like a Roomba with a face.
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“To Labor With Love” at FJORD
Two people push on either side, and one powers the drill. Then those are for cleaning your hands.
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Elisabeth Subrin at ICA 50
Or kids with crayons embellishing the damage.
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HAULIN’ : Pickup Truck Expo at Crane Arts
Sometimes I have fixed feelings when artists appropriate the dear totems of mass culture. This anxiety can be characterized by the deep valley between “Sports Art” and art about sports. One appreciated by people who love sports and the other appreciated by people who love the cultural and sociological tectonics of sports.